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[夜与日].(night.and.day).(英)弗吉尼亚·伍尔芙.文字版-第79部分


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the following morning; “Mrs。 Milvain is in the kitchen。” 

A long wicker basket of flowers and branches had arrived 
from the country; and Katharine; kneeling upon the 
floor of the drawingroom; was sorting them while 
Cassandra watched her from an armchair; and absentmindedly 
made spasmodic offers of help which were not 
accepted。 The maid’s message had a curious effect upon 
Katharine。 

She rose; walked to the window; and; the maid being 
gone; said emphatically and even tragically: 

“You know what that means。” 

Cassandra had understood nothing。 

“Aunt Celia is in the kitchen;” Katharine repeated。 

“Why in the kitchen?” Cassandra asked; not unnaturally。 


“Probably because she’s discovered something;” 
Katharine replied。 Cassandra’s thoughts flew to the subject 
of her preoccupation。 

“About us?” she inquired。 

“Heaven knows;” Katharine replied。 “I shan’t let her 
stay in the kitchen; though。 I shall bring her up here。” 

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Night and Day 

The sternness with which this was said suggested that 
to bring Aunt Celia upstairs was; for some reason; a disciplinary 
measure。 

“For goodness’ sake; Katharine;” Cassandra exclaimed; 
jumping from her chair and showing signs of agitation; 
“don’t be rash。 Don’t let her suspect。 Remember; nothing’s 
certain—” 

Katharine assured her by nodding her head several times; 
but the manner in which she left the room was not calculated 
to inspire plete confidence in her diplomacy。 

Mrs。 Milvain was sitting; or rather perching; upon the 
edge of a chair in the servants’ room。 Whether there was 
any sound reason for her choice of a subterranean chamber; 
or whether it corresponded with the spirit of her 
quest; Mrs。 Milvain invariably came in by the back door 
and sat in the servants’ room when she was engaged in 
confidential family transactions。 The ostensible reason 
she gave was that neither Mr。 nor Mrs。 Hilbery should be 
disturbed。 But; in truth; Mrs。 Milvain depended even more 
than most elderly women of her generation upon the delicious 
emotions of intimacy; agony; and secrecy; and the 

additional thrill provided by the basement was one not 
lightly to be forfeited。 She protested almost plaintively 
when Katharine proposed to go upstairs。 

“I’ve something that I want to say to you in private;” 
she said; hesitating reluctantly upon the threshold of her 
ambush。 

“The drawingroom is empty—” 

“But we might meet your mother upon the stairs。 We 
might disturb your father;” Mrs。 Milvain objected; taking 
the precaution to speak in a whisper already。 

But as Katharine’s presence was absolutely necessary 
to the success of the interview; and as Katharine obstinately 
receded up the kitchen stairs; Mrs。 Milvain had no 
course but to follow her。 She glanced furtively about her 
as she proceeded upstairs; drew her skirts together; and 
stepped with circumspection past all doors; whether they 
were open or shut。 

“Nobody will overhear us?” she murmured; when the parative 
sanctuary of the drawingroom had been reached。 
“I see that I have interrupted you;” she added; glancing at 
the flowers strewn upon the floor。 A moment later she 

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Virginia Woolf 

inquired; “Was some one sitting with you?” noticing a 
handkerchief that Cassandra had dropped in her flight。 

“Cassandra was helping me to put the flowers in water;” 
said Katharine; and she spoke so firmly and clearly 
that Mrs。 Milvain glanced nervously at the main door and 
then at the curtain which divided the little room with the 
relics from the drawingroom。 

“Ah; Cassandra is still with you;” she remarked。 “And 
did William send you those lovely flowers?” 

Katharine sat down opposite her aunt and said neither 
yes nor no。 She looked past her; and it might have been 
thought that she was considering very critically the pattern 
of the curtains。 Another advantage of the basement; 
from Mrs。 Milvain’s point of view; was that it made it 
necessary to sit very close together; and the light was 
dim pared with that which now poured through three 
windows upon Katharine and the basket of flowers; and 
gave even the slight angular figure of Mrs。 Milvain herself 
a halo of gold。 

“They’re from Stogdon House;” said Katharine abruptly; 
with a little jerk of her head。 

Mrs。 Milvain felt that it would be easier to tell her niece 
what she wished to say if they were actually in physical 
contact; for the spiritual distance between them was formidable。 
Katharine; however; made no overtures; and Mrs。 
Milvain; who was possessed of rash but heroic courage; 
plunged without preface: 

“People are talking about you; Katharine。 That is why I 
have e this morning。 You forgive me for saying what 
I’d much rather not say? What I say is only for your own 
sake; my child。” 

“There’s nothing to forgive yet; Aunt Celia;” said 
Katharine; with apparent good humor。 

“People are saying that William goes everywhere with 
you and Cassandra; and that he is always paying her attentions。 
At the Markhams’ dance he sat out five dances 
with her。 At the Zoo they were seen alone together。 They 
left together。 They never came back here till seven in the 
evening。 But that is not all。 They say his manner is very 
marked—he is quite different when she is there。” 

Mrs。 Milvain; whose words had run themselves together; 
and whose voice had raised its tone almost to one of 

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Night and Day 

protest; here ceased; and looked intently at Katharine; as 
if to judge the effect of her munication。 A slight rigidity 
had passed over Katharine’s face。 Her lips were 
pressed together; her eyes were contracted; and they were 
still fixed upon the curtain。 These superficial changes 
covered an extreme inner loathing such as might follow 
the display of some hideous or indecent spectacle。 The 
indecent spectacle was her own action beheld for the 
first time from the outside; her aunt’s words made her 
realize how infinitely repulsive the body of life is without 
its soul。 

“Well?” she said at length。 

Mrs。 Milvain made a gesture as if to bring her closer; 
but it was not returned。 

“We all know how good you are—how unselfish—how 
you sacrifice yourself to others。 But you’ve been too unselfish; 
Katharine。 You have made Cassandra happy; and 
she has taken advantage of your goodness。” 

“I don’t understand; Aunt Celia;” said Katharine。 “What 
has Cassandra done?” 

“Cassandra has behaved in a way that I could not have 

thought possible;” said Mrs。 Milvain warmly。 “She has 
been utterly selfish—utterly heartless。 I must speak to 
her before I go。” 

“I don’t understand;” Katharine persisted。 

Mrs。 Milvain looked at her。 Was it possible that Katharine 
really doubted? That there was something that Mrs。 Milvain 
herself did not understand? She braced herself; and pronounced 
the tremendous words: 

“Cassandra has stolen William’s love。” 

Still the words seemed to have curiously little effect。 

“Do you mean;” said Katharine; “that he has fallen in 
love with her?” 

“There are ways of making men fall in love with one; 
Katharine。” 

Katharine remained silent。 The silence alarmed Mrs。 
Milvain; and she began hurriedly: 

“Nothing would have made me say these things but 
your own good。 I have not wished to interfere; I have not 
wished to give you pain。 I am a useless old woman。 I 
have no children of my own。 I only want to see you happy; 
Katharine。” 

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Virginia Woolf 

Again she stretched forth her arms; but they remained 
empty。 

“You are not going to say these things to Cassandra;” 
said Katharine suddenly。 “You’ve said them to me; that’s 
enough。” 

Katharine spoke so low and with such restraint that 
Mrs。 Milvain had to strain to catch her words; and when 
she heard them she was dazed by them。 

“I’ve made you angry! I knew I should!” she exclaimed。 
She quivered; and a kind of sob shook her; but even to 
have made Katharine angry was some relief; and allowed 
her to feel some of the agreeable sensations of martyrdom。 

“Yes;” said Katharine; standing up; “I’m so angry that I 
don’t want to say anything more。 I think you’d better go; 
Aunt Celia。 We don’t understand each other。” 

At these words Mrs。 Milvain looked for a moment terribly 
apprehensive; she glanced at her niece’s face; but 
read no pity there; whereupon she folded her hands upon 
a black velvet bag which she carried in an attitude that 
was almost one of prayer。 Whatever divinity she prayed 
to; if pray she did; at any rate she recovered her dignity 

in a singular way and faced her niece。 

“Married love;” she said slowly and with emphasis upon 
every word; “is the most sacred of all loves。 The love of 
husband and wife is the most holy we know。 That is the 
lesson Mamma’s children learnt from her; that is what they 
can never forget。 I have tried to speak as she would have 
wished her daughter to speak。 You are her grandchild。” 

Katharine seemed to judge this defence upon its merits; 
and then to convict it of falsity。 

“I don’t see that there is any excuse for your behavior;” 
she said。 

At these words Mrs。 Milvain rose and stood for a moment 
beside her niece。 She had never met with such treatment 
before; and she did not know with what weapons to 
break down the terrible wall of resistance offered her by 
one who; by virtue of youth and beauty and sex; should 
have been all tears and supplications。 But Mrs。 Milvain 
herself was obstinate; upon a matter of this kind she 
could not admit that she was either beaten or mistaken。 
She beheld herself the champion of married love in its 
purity and supremacy; what her niece stood for she was 

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Night and Day 

quite unable to say; but she was filled with the gravest 
suspicions。 The old woman and the young woman stood 
side by side in unbroken silence。 Mrs。 Milvain could not 
make up her mind to withdraw while her principles 
trembled in the balance and her curiosity remained unappeased。 
She ransacked her mind for some question

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